In our special series revisiting great Hindi film classics, we look back at Prithviraj Kapoor, Raj Kapoor, Randhir Kapoor and Babita's 1971 film, Kal Aaj Aur Kal.
'... and all of the symbolism, history, the colours of his motherland, the earth, the sky, all of that is there and it always remains with him.'
'He cooked chicken curry and so because of him, curries entered the British royal kitchens.' 'Eventually, he became a political advisor to the queen.' 'This guy was disrupting the royal household. It sent shockwaves...' Ali Fazal on his character Abdul Karim and working with acting legend Judi Dench.
Penpix of the England squad for the 2015 cricket World Cup in Australia and New Zealand.
Shah Rukh Khan yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts himself overcompensating at every step, despite nobody else in the film following this template.
The Honda Navi is quirky in its nature and has a love-it-or-hate-it aura about it, but one thing is for sure that you can't ignore it, says Naveen Soni
'Mahesh Bhavana is a young man who is beaten up in the town's marketplace and who consequently pledges that he won't wear his slippers again, till he avenges the beating.' 'But Mahesh can't get his revenge that easily -- his punisher is off to a distant land. So what does Mahesh do? He waits. And the town waits with him. And we wait with him.' 'Maheshinte Prathikaram is one of those movies where I didn't know what hit me. I don't remember another movie -- at least in recent times -- that I surrendered to with such happiness,' says Sreehari Nair.
Tamal Bandyopadhyay discusses his latest book Bandhan: The Making of a Bank at Bandhan headquarters in Kolkata.
'I know many actors living outside India put on accents in films because they think that is how Indians talk. I avoid that.' 'I don't have to prove anything through my accent. My psyche is Indian.' Anupam Kher gives us his 500th film!
Here's celebrating Dilip Kumar by re-visiting his best movies.
Over Dosas in Mumbai, Oscar winner Megan Mylan tells Vaihayasi Pande Daniel why she chose India and girls empowerment as the subject of her new documentary.
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